Books and Journals

Axel, Brian Keith, The Nation’s Tortured Body: Violence, Representation and the Formation of a Sikh “Diaspora”, Durham & London, Duke University Press, 2001 Back, Les, New Ethnicities and Urban Culture, London, UCL Press, 1996 Banerji, S. and Baumann, G. (1990) ‘Bhangra 1984 – 8: fusion and professionalisation in a genre of South Asian dance music’, in P. Oliver (Ed), Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, London, Open University Press, 137 – 152 Beaton, Cecil Indian Diary And Album, Open University Press, 1991 – originally Far East, Batsford, 1945 Bennet, Andrew.  “Bhangra in Newcastle: Music, Ethnic Identity and the Role of Local Knowledge”, Innovation, Vol 10, No 1, 1997 pp 107-116 Brah, Avtar, Cartographies of Diaspora, Routledge, London, 1996 Broughton, Simon, Mark Ellingham and & Richard Trillo (Eds), World Music: The Rough Guide Volume 1, Rough Guides, 1999 B. R. Deodhar, Pillars Of Hindustani Music, Popular Prakashan, Bombay, 1993 Donnel, A, Companion to Contemporary Black British Culture, London, Routledge, 2002 Dudrah, Rajinder  ‘Cultural Production in the British Bhangra Music Industry: Music-Making, Locality, and Gender’, pp.219-251, International Journal of Punjab Studies, Volume 9, No. 2, 2002 Hall, Stuart, & T. H. Jefferson (Eds), Resistance through Rituals, London, Hutchinson, 1976 Hebdige, D, Subculture: the meaning of style, London, Methuen, 1979 Kalra, Virinder  S. “Vilayeti Rhythms: Beyond Bhangra’s Emblematic Status to a Translation of Lyrical Texts”,  Theory, Culture and Society, Vol 17, No 3, June 2000 Mitchell, T, Popular Music and Local Identity, London, Leicester University Press, 1996 Sharma, S., Hutnyk, J. and Sharma, A. (Eds), Disorienting Rhythms: the Politics of the New Asian Dance Music, London, Zed Books Willis, Paul, Moving Culture, Calouste Gulbenkian Foundation, London, 1990